Eine Heldenninleben – May 18th 2019
Join us on Saturday 18th May at the Anthony Burgess Centre, Manchester. Derek Blyth will present a Study Day on Eine Heldenninleben – A Heroine’s Life – Brünnhilde in ‘The Ring’.
There is no disputing the fact the Siegfried is the hero at the centre of ‘Der Ring des Nibelungen’, indeed, Wagner started by developing a work called ‘Siegfrieds Tod’ and only later expanded it into what we know as ‘The Ring’. If we wanted to name a protagonist for ‘The Ring’, we would probably choose Wotan, with Alberich as the antagonist (‘though a good case could be made for this being reversed). Today, however, we will examine the events through a different pair of eyes, those of Brünnhilde, the heroine of ‘The Ring’.
Come, prepared to be thrilled, shocked, surprised, and, I hope, overjoyed by our journey together which will include many musical and visual examples of a range of performers of this wonderful rôle.
My apologies to Richard Strauss for having misappropriated his title.
Timetable for the day:-
10.00 Session 1
11.15 Session 2
13.00 Lunch (not provided but the centre does excellent soup/sandwiches)
14.00 Session 3
15.00 Questions, discussion and plenary
Cost: Members £20, Non-members £25, Students £10. This is a specially reduced rate for this event only. Please contact the secretary to book.
Derek, on the right, chatting to some of the attendees.
Derek Blyth gave a splendidly lively and illuminating talk on Saturday 18th May at the Anthony Burgess Centre, Manchester, a Society Study Day entitled Eine Heldenninleben – A Heroine’s Life – Brünnhilde in ‘The Ring’.
Derek’s relaxed and friendly presentation – totally without PowerPoint! – was effective because:
- He took a straightforward narrative approach to the development of Brunnhilde as a character, helped by quotations from John Deathridge’s new ‘Ring’ translation, and he portrayed very clearly her journey from demi-god to mortal to her role at the end of Gotterdammerung as a quasi-religious redemptive figure
- He interspersed the narrative with a varied selection of mostly historic recordings of the great Brunnhildes of the last 80 years – Kirsten Flagstad, Lotte Lehman, Astrid Varnay, Birgit Nilsson, and some more recent interpreters, I particularly appreciated hearing Astrid Varnay’s singing – it was the first time I’d heard her voice in a long time, and I was amazed by her warm, clear projection and musical approach. Nilsson thrilled with her top C’s and ‘pinging’ tone, though sometimes I felt that Varnay’s and Flagstad’s vocal approaches were more sympathetic to the subtlety of portraying the development in Brunnhilde’s character
- He came over, as a presenter, as knowledgeable, but wearing his considerable knowledge and experience lightly, and also as engaging and sometimes very funny. I liked particularly his theory that the very sympathetic (to the voice) approach to Brunnhilde’s role suggests Wagner’s sympathy for the character.
A particular insight for me from the talk was a further understanding of the exact nature of Brunnhilde’s transgression in Die Walkure – although obviously part of it is her simple refusal to carry out Wotan’s command, a more specific point, which I had never fully appreciated before, was that, rather than riding back to Valhalla with a dead hero at the end of Act 2, she was riding away from it with a live woman – arguably this complete reversal of her normal role sparked particular anger in Wotan…..
Altogether it was a real thrill to be able to sit back and hear quite a lot of the story of the Ring, and some of its greatest music, in the company of fellow Wagnerians and a knowledgeable guide. Sadly I shall miss Derek’s talk in September to the Society about Alberich – I thoroughly recommend it if you are able to make it.